Kostas Drogaris is now friends with Daniela Baroffio. Kostas Drogaris rated a book it was amazing. Want to Read saving…. Want to Read Currently Reading Read. Error rating book. Refresh and try again. Kostas Drogaris rated a book really liked it. Great Expectations by Charles Dickens. Kritik der reinen Vernunft by Immanuel Kant. Die Wache by Nikos Kavvadias.
The Stranger by Albert Camus. Der Steppenwolf by Hermann Hesse. Siddhartha by Hermann Hesse. Samira Hacko. Marcus Gallagher. Luana M.
Kosmas Karavopoulos. Anna-very Berry. Debora Gatelli. Katia Graouvaki. His first publisher, Middelhauve, was mainly a publisher of science books and thus not interested in promoting literature. A soldier, Andreas, boards an army train in the West probably Cologne to join a unit in the Ukraine. There he meets the Polish resistance fighter Olina, for whom he develops a platonic love. The novella takes on biblical dimensions: Andreas is seen as Jesus at the Last Supper and as having a Mary-Magdalene type of relationship with Olina, to whom he is a brother, not a lover.
He persuades Olina to give up her political undercover war, which he considers immoral and insignificant. In the same way, Andreas is apolitical in his relationship to Nazi Germany, which was perhaps typical for the times. The formal achievement of the novella, however, and its humanistic or antifascist spirit, drew praise.
It is an artistic tour de force. The novel is divided into episodic chapters, in which minor characters later become main characters. Except for this aspect, the episodes are not connected and can be seen as independent short stories. This individual quality is especially true of the chapters about the life and death of Lieutenant Greek and the building of the bridge at Berczaby. The episode about a woman named Ilona is an early treatment of concentration camps in German fiction.
When Ilona sings the Litany of the Saints, the Nazi commander Filskeit realizes the amorality of the camps, and the beauty of music overcomes the horror of the SS. Wo wanst du, Adam? After publication of Wo wanst du, Adam? Like Der Zug war punktlkh, it takes place in The book starts out in France and is told by a soldier, Wenk, who falls in love with a French girl.
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But soon his commander, Schelling, takes the girl away from him. Schnecker kills Schelling; thus, the compassionate people die while the heartless ones survive the war, eventually to play a leading role in postwar society. It is a story of capitalist exploitation and a failed proletarian revolt, narrated in the classical style of Johann Peter Hebel or Kleist. Poverty makes protagonist Fred Bogner sick and drives him away from the one room he shared with his wife and children. Fred is a drinker, has beaten his children, and is beginning to question the authority of the church. He is not ambitious and feels self-pity for being left out of society.
The social criticism is explicit; the author especially criticizes the bigoted landlady, Frau Franke, who does not want to give the family another room, maintaining she needs it as a reception room for Catholic aid committees. In the end, the pharmacy becomes the personification of modern-day society: cleanliness, contraception, and useless consumption.
Neither Fred nor his wife goes along with these ideas, and the self-righteous Fred defends his own way of life. The story is told in consecutive chapters by two boys, Martin Bach and Heinrich Brielach. Both boys have lost their fathers in the war. Heinrich, on the other hand, has to earn a living for his family on the black market while still attending school. Two themes stand out: the contrast of the poor and rich in postwar society and the relationship to the Nazi past. The Brielachs are stigmatized for their poverty and afraid to move their belongings in front of their scrutinizing neighbors.
Martin, on the other hand, can live in luxury with his wealthy grandmother. During the war, Gaseler had sent Rai on a reconnaissance mission, knowing that the poet was ill-equipped for it and probably would not survive. Ich versuche, es zu vergessen, und es gelingt mir I try to forget it, and I can People have to forget the war. But he has not forgotten the names of his Nazi heroes; only the death images have been erased from his mind. Hatred does not seem adequate to punish these Nazi conformers: they would not even understand it.
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Walter goes to the train station to meet Hedwig, who is the daughter of a friend of his father and who is coming to the city to study at the university. Walter has previously found her a room and is to take her there and go back to work. But when he sees Hedwig, his life changes:. I saw only her dazzling green coat, her face, and I suddenly became fearful with that fear which explorers have when they enter upon a new land … Her face went deep into me … It was as if I had been pierced without bleeding.
From that moment, Walter is a new person. The relationship between man and woman is symbolized in a mythical sense as a cry of the man for company in his lonely life. An atheist girl, Mirzova, helps Paul overcome his anxiety by exposing her breasts. As a result, however, the girl has to leave town for a few years to avoid being labeled a prostitute by the narrow-minded townspeople.
The story is constructed using traditional symbolism such as the pistol as a phallic object. The turning point was the rearmament campaign. His Irisches Tagebuch ; translated as Irish Journal, resulting from those trips is not a conventional travelogue. The mother of a family has saved Christmas decorations from before the war and protests whenever anybody tries to take the Christmas tree down. So the family celebrates Christmas every day of the year, at first in person, later with stand-in actors for the totally demoralized family members.
He responded that he had not intended to denounce Christmas but rather the commercial aspects of it. The formal juxtaposition also drew a lot of criticism. But the resulting novel is too confusing; the lamb-buffalo symbolism does not convince. The St. Anton Abbey, however, stands out as the one effective symbol that ties the three generations together: the grandfather built it; the son blew it up; and the grandson does not know whether he wants to reconstruct or demolish it.
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Here he published his first. Francis, titled Assisi. He said that if he had not grown up in fascist Germany he would have certainly been a Communist by In it he expresses his disapproval of what he considered the merger of church and government in the Federal Republic at that time. This book, which became Ansichten eines Clowns ; translated as The Clown, , is one of his most controversial novels.
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Schnier feels sorry for himself since his girlfriend, Marie, left him to marry a Berufskatholik administrator of the Catholic Church. Through several phone calls to relatives and friends, Hans discovers that Marie is now on her honeymoon trip, which will include a visit to the Pope. He decides to await her return by singing religious songs at the train station while wearing his clown costume. Hans advocates a form of marriage in which the church plays no role; only the mutual consent of the two partners matters.
He has become a professional clown who, like a medieval court jester, criticizes society. Because of his artistic nature, Hans views the living and the dead differently than most people do. Ansichten eines Clowns was widely criticized for its anti-Catholic bias. But Frank Trommler saw in Ansichten eines Clowns a new phase in post-World War II German literary history, characterized by blunt political reasoning instead of formal artistic expression. The book displeased those critics who were used to innovative, intellectualized fiction.
The recent German rejection of provinciality is seen as negative, since more works of art have been created in remote places such as Dublin or Prague.
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Ende einer Dienstfahrt ; translated as End of a Mission, is really a novel about art and how to incorporate art into society. In its description of the military as a senseless machine, it is reminiscent of Wo warst du, Adam? The case is an embarrassment to the authorities, who want to play it down by keeping the press out and by giving the case to a mild judge. I thought how the complete niceness of society toward art is nothing more than a kind of padded cell. At the same time, I was reading about the provos in Amsterdam and their antiestablishment Happenings.
I recognized that all art is taken seriously by this bewildering and incomprehensible society. This recognition brought me to the idea that art, that is, a Happening, is perhaps the last chance to break out of this padded cell; it can become a time bomb or the way to take the director of this madhouse out of action with a poisoned chocolate sweet. I decided on a combination of poisoned chocolates and a time bomb.
Most critics did not see the political time bomb, and did not want to see it. One reason is that art in the s had removed itself from politics. He also wanted to show the sympathy of the village people, who all understand and support the action. But while doing this Erinnerungsarbeit remembrance work , he also traveled more, and in August he happened to be in Czechoslovakia during the Soviet invasion. This situation provided an opportunity for him to protest Soviet policies, which in turn increased his political credibility with the Right.
The novel struck a responsive chord when it appeared, during the years of student protests when people sought to create a Utopia. The novel, however, offers another view, introduced by an inquiring journalist who collects information about Leni from the people around her and thereby discovers that she was the lover of a Russian prisoner of war during World War II. The purity of the couple is contrasted with the petty reactions of her colleagues and friends.
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